{"id":2597,"date":"2025-11-15T06:56:12","date_gmt":"2025-11-15T06:56:12","guid":{"rendered":"https:\/\/stela.hs.duth.gr\/?p=2597"},"modified":"2025-11-15T07:13:55","modified_gmt":"2025-11-15T07:13:55","slug":"%ce%b9%cf%89%ce%ac%ce%bd%ce%bd%ce%b7%cf%82-%ce%bd%cf%84%ce%b5%ce%bb%ce%b7%ce%b3%ce%b9%ce%ac%ce%bd%ce%bd%ce%b7%cf%82-%ce%ba%ce%b1%ce%b8%ce%b7%ce%b3%ce%b7%cf%84%ce%ae%cf%82-%ce%bb%ce%b1%cf%84%ce%b9","status":"publish","type":"post","link":"https:\/\/stela.hs.duth.gr\/en\/%ce%b9%cf%89%ce%ac%ce%bd%ce%bd%ce%b7%cf%82-%ce%bd%cf%84%ce%b5%ce%bb%ce%b7%ce%b3%ce%b9%ce%ac%ce%bd%ce%bd%ce%b7%cf%82-%ce%ba%ce%b1%ce%b8%ce%b7%ce%b3%ce%b7%cf%84%ce%ae%cf%82-%ce%bb%ce%b1%cf%84%ce%b9\/","title":{"rendered":"\u0399\u03c9\u03ac\u03bd\u03bd\u03b7\u03c2 \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, \u039a\u03b1\u03b8\u03b7\u03b3\u03b7\u03c4\u03ae\u03c2 \u039b\u03b1\u03c4\u03b9\u03bd\u03b9\u03ba\u03ae\u03c2 \u03a6\u03b9\u03bb\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2"},"content":{"rendered":"\n<div id=\"wp-block-themeisle-blocks-advanced-columns-359024c1\" class=\"wp-block-themeisle-blocks-advanced-columns has-1-columns has-desktop-equal-layout has-tablet-equal-layout has-mobile-equal-layout has-vertical-unset\"><div class=\"wp-block-themeisle-blocks-advanced-columns-overlay\"><\/div><div class=\"innerblocks-wrap\">\n<div id=\"wp-block-themeisle-blocks-advanced-column-43703690\" class=\"wp-block-themeisle-blocks-advanced-column\"><div class=\"wp-block-themeisle-blocks-advanced-column-overlay\"><\/div>\n<div class=\"wp-block-group has-custom-color-11-color has-text-color has-link-color has-inter-font-family has-normal-font-size wp-elements-51b7f69fcf5296d6cb78fed5d052ba35 is-layout-constrained wp-container-core-group-is-layout-8dd13e6d wp-block-group-is-layout-constrained\" style=\"padding-right:var(--wp--preset--spacing--60);padding-left:var(--wp--preset--spacing--60);font-style:normal;font-weight:500\">\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-custom-color-11-color has-text-color has-link-color has-fraunces-font-family wp-elements-dd61a5854f1300764f3dc266a025306b\">\u0391) <strong>\u039c\u03bf\u03bd\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b5\u03c2<\/strong><\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li>I. Deligiannis, 2006. <em>Fifteenth-Century Latin Translations of Lucian\u2019s Essay on Slander<\/em>, Pisa \u2013 Roma: Gruppo editoriale internazionale.<\/li>\n\n\n\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2015. <em>\u039c. \u03a4\u03cd\u03bb\u03bb\u03b9\u03bf\u03c5 \u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd\u03b1 \u03a0\u03b5\u03c1\u03af \u03a0\u03bf\u03bb\u03b9\u03c4\u03b5\u03af\u03b1\u03c2 \u0392\u03b9\u03b2\u03bb\u03af\u03b1 \u0388\u03be\u03b9. \u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u2013 \u039a\u03b5\u03af\u03bc\u03b5\u03bd\u03bf \u2013 \u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u2013 \u03a3\u03c7\u03cc\u03bb\u03b9\u03b1<\/em>,\u00a0 \u0391\u03b8\u03ae\u03bd\u03b1: \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf \u03c4\u03bf\u03c5 \u0392\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u2013 \u039a\u03b1\u03c1\u03b4\u03b1\u03bc\u03af\u03c4\u03c3\u03b1.<\/li>\n\n\n\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2017. <em>\u039c. \u03a4\u03cd\u03bb\u03bb\u03b9\u03bf\u03c5 \u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd\u03b1 \u03a0\u03b5\u03c1\u03af \u039d\u03cc\u03bc\u03c9\u03bd \u0392\u03b9\u03b2\u03bb\u03af\u03b1 \u03a4\u03c1\u03af\u03b1. \u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u2013 \u039a\u03b5\u03af\u03bc\u03b5\u03bd\u03bf \u2013 \u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u2013 \u03a3\u03c7\u03cc\u03bb\u03b9\u03b1<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1: \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf \u03c4\u03bf\u03c5 \u0392\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u2013 \u039a\u03b1\u03c1\u03b4\u03b1\u03bc\u03af\u03c4\u03c3\u03b1.<\/li>\n\n\n\n<li>\u039a. \u03a3\u03c0. \u03a3\u03c4\u03ac\u03b9\u03ba\u03bf\u03c2 \u2013 \u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2019. <em>\u03a0\u03c1\u03bf\u03c3\u03c6\u03c9\u03bd\u03ae\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 \u0386\u03bb\u03b4\u03bf\u03c5 \u039c\u03b1\u03bd\u03bf\u03cd\u03c4\u03b9\u03bf\u03c5 \u03c3\u03c4\u03b1 \u0391\u03c1\u03b9\u03c3\u03c4\u03bf\u03c4\u03ad\u03bb\u03bf\u03c5\u03c2<\/em> <em>\u0386\u03c0\u03b1\u03bd\u03c4\u03b1<\/em> <em>(1495-1498)<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1: \u0386\u03c4\u03c9\u03bd.<\/li>\n\n\n\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2021. <em>\u039c. \u03a4\u03cd\u03bb\u03bb\u03b9\u03bf\u03c2 \u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd, \u03a0\u03b5\u03c1\u03af \u03a0\u03bf\u03bb\u03b9\u03c4\u03b5\u03af\u03b1\u03c2 &amp; \u03a0\u03b5\u03c1\u03af \u039d\u03cc\u03bc\u03c9\u03bd<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1: \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf \u03c4\u03bf\u03c5 \u0392\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u2013 \u039a\u03b1\u03c1\u03b4\u03b1\u03bc\u03af\u03c4\u03c3\u03b1.<\/li>\n\n\n\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2021. <em>\u039c. \u03a4\u03cd\u03bb\u03bb\u03b9\u03bf\u03c5 \u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd\u03b1 \u039b\u03cc\u03b3\u03bf\u03b9 \u03b5\u03c0\u2019 \u03b1\u03c0\u03bf\u03bd\u03bf\u03c3\u03c4\u03ae\u03c3\u03b5\u03b9 \u03b5\u03c5\u03c7\u03b1\u03c1\u03b9\u03c3\u03c4\u03ae\u03c1\u03b9\u03bf\u03b9 \u03b5\u03bd\u03ce\u03c0\u03b9\u03bf\u03bd \u03c4\u03b7\u03c2 \u03a3\u03c5\u03b3\u03ba\u03bb\u03ae\u03c4\u03bf\u03c5 &amp; \u03c0\u03c1\u03bf\u03c2 \u03c4\u03bf\u03c5\u03c2 \u03a1\u03c9\u03bc\u03b1\u03af\u03bf\u03c5\u03c2 \u03c0\u03bf\u03bb\u03af\u03c4\u03b5\u03c2. \u0395\u03c0\u03af\u03bc\u03b5\u03c4\u03c1\u03bf: <\/em>[<em>\u039c. \u03a4\u03cd\u03bb\u03bb\u03b9\u03bf\u03c5 \u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd\u03b1<\/em>]<em> \u039f \u03c4\u03b7\u03c2 \u03c0\u03c1\u03bf\u03b7\u03b3\u03bf\u03c5\u03bc\u03ad\u03bd\u03b7\u03c2 \u03c4\u03b7\u03c2 \u03b5\u03be\u03bf\u03c1\u03af\u03b1\u03c2 \u03bb\u03cc\u03b3\u03bf\u03c2. \u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u2013 \u039a\u03b5\u03af\u03bc\u03b5\u03bd\u03bf \u2013 \u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u2013 \u0395\u03c1\u03bc\u03b7\u03bd\u03b5\u03c5\u03c4\u03b9\u03ba\u03cc\u03c2 \u03a3\u03c7\u03bf\u03bb\u03b9\u03b1\u03c3\u03bc\u03cc\u03c2<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1: \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf \u03c4\u03bf\u03c5 \u0392\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u2013 \u039a\u03b1\u03c1\u03b4\u03b1\u03bc\u03af\u03c4\u03c3\u03b1.<\/li>\n\n\n\n<li>I. Deligiannis, 2025. <em>Herodoti Historia per Matthiam Palmierum Pisanum e Graeco in Latinum versa<\/em>: <em>The Latin Translation of Herodotus\u2019 Histories by Mattia Palmieri<\/em>. Transmissions. Studies on conditions, processes and dynamics of textual transmission 13, Berlin \u2013 Boston: De Gruyter.<\/li>\n<\/ol>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-custom-color-11-color has-text-color has-link-color has-fraunces-font-family wp-elements-6c6b451ababcb9fb9f2978ed2518c838\">\u0392) <strong>\u0395\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1 \u03c4\u03cc\u03bc\u03c9\u03bd<\/strong><\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li>\u0396. \u0393\u03b1\u03b2\u03c1\u03b9\u03b7\u03bb\u03af\u03b4\u03bf\u03c5, \u039c. \u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03b9\u03bd\u03af\u03b4\u03bf\u03c5, \u039d. \u039c\u03b1\u03c5\u03c1\u03ad\u03bb\u03bf\u03c2, \u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, \u0399. \u03a0\u03b1\u03c0\u03b1\u03b4\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u0393. \u03a4\u03c3\u03bf\u03bc\u03ae\u03c2 (\u03b5\u03c0\u03b9\u03bc.), 2017. <em>\u03a4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2: \u0393\u03bb\u03ce\u03c3\u03c3\u03b1 \u03ba\u03b1\u03b9 \u039b\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03c4\u03bf\u03c5 \u0394\u03b9\u03b5\u03b8\u03bd\u03bf\u03cd\u03c2 \u03a3\u03c5\u03bd\u03b5\u03b4\u03c1\u03af\u03bf\u03c5 \u03b3\u03b9\u03b1 \u03c4\u03b1 20 \u03a7\u03c1\u03cc\u03bd\u03b9\u03b1 \u039b\u03b5\u03b9\u03c4\u03bf\u03c5\u03c1\u03b3\u03af\u03b1\u03c2 \u03c4\u03bf\u03c5 \u03a4\u03bc\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae\u03c2 \u03a6\u03b9\u03bb\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 \u03c4\u03bf\u03c5 \u0394\u03b7\u03bc\u03bf\u03ba\u03c1\u03b9\u03c4\u03b5\u03af\u03bf\u03c5 \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u0398\u03c1\u03ac\u03ba\u03b7\u03c2<\/em>, \u03c4. \u0391\u2019, \u039a\u03bf\u03bc\u03bf\u03c4\u03b7\u03bd\u03ae: \u03a3\u03b1\u0390\u03c4\u03b1.<\/li>\n\n\n\n<li>\u0396. \u0393\u03b1\u03b2\u03c1\u03b9\u03b7\u03bb\u03af\u03b4\u03bf\u03c5, \u039c. \u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03b9\u03bd\u03af\u03b4\u03bf\u03c5, \u039d. \u039c\u03b1\u03c5\u03c1\u03ad\u03bb\u03bf\u03c2, \u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, \u0399. \u03a0\u03b1\u03c0\u03b1\u03b4\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u0393. \u03a4\u03c3\u03bf\u03bc\u03ae\u03c2, \u03a0. \u03a3\u03c5\u03bc\u03b5\u03c9\u03bd\u03af\u03b4\u03bf\u03c5 (\u03b5\u03c0\u03b9\u03bc.), 2018. <em>\u03a4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2: \u0393\u03bb\u03ce\u03c3\u03c3\u03b1 \u03ba\u03b1\u03b9 \u039b\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03c4\u03bf\u03c5 \u0394\u03b9\u03b5\u03b8\u03bd\u03bf\u03cd\u03c2 \u03a3\u03c5\u03bd\u03b5\u03b4\u03c1\u03af\u03bf\u03c5 \u03b3\u03b9\u03b1 \u03c4\u03b1 20 \u03a7\u03c1\u03cc\u03bd\u03b9\u03b1 \u039b\u03b5\u03b9\u03c4\u03bf\u03c5\u03c1\u03b3\u03af\u03b1\u03c2 \u03c4\u03bf\u03c5 \u03a4\u03bc\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae\u03c2 \u03a6\u03b9\u03bb\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 \u03c4\u03bf\u03c5 \u0394\u03b7\u03bc\u03bf\u03ba\u03c1\u03b9\u03c4\u03b5\u03af\u03bf\u03c5 \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u0398\u03c1\u03ac\u03ba\u03b7\u03c2<\/em>, \u03c4. \u0392\u2019, \u039a\u03bf\u03bc\u03bf\u03c4\u03b7\u03bd\u03ae: \u03a3\u03b1\u0390\u03c4\u03b1.<\/li>\n\n\n\n<li>[\u039d. \u039c\u03b1\u03c5\u03c1\u03ad\u03bb\u03bf\u03c2 \u2013 \u03a0. \u03a3\u03c5\u03bc\u03b5\u03c9\u03bd\u03af\u03b4\u03bf\u03c5 (\u03b5\u03c0\u03b9\u03bc.), 2017. <em>\u03a4\u03b1\u03c5\u03c4\u03cc\u03c4\u03b7\u03c4\u03b5\u03c2: \u0393\u03bb\u03ce\u03c3\u03c3\u03b1 \u03ba\u03b1\u03b9 \u039b\u03bf\u03b3\u03bf\u03c4\u03b5\u03c7\u03bd\u03af\u03b1. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03a0\u03c1\u03bf\u03c3\u03c5\u03bd\u03b5\u03b4\u03c1\u03b9\u03b1\u03ba\u03ae\u03c2 \u03a3\u03c5\u03bd\u03ac\u03bd\u03c4\u03b7\u03c3\u03b7\u03c2 \u039c\u03b5\u03c4\u03b1\u03c0\u03c4\u03c5\u03c7\u03b9\u03b1\u03ba\u03ce\u03bd \u03a6\u03bf\u03b9\u03c4\u03b7\u03c4\u03ce\u03bd \u03ba\u03b1\u03b9 \u03a5\u03c0\u03bf\u03c8\u03b7\u03c6\u03af\u03c9\u03bd \u0394\u03b9\u03b4\u03b1\u03ba\u03c4\u03cc\u03c1\u03c9\u03bd \u03b3\u03b9\u03b1 \u03c4\u03b1 20 \u03c7\u03c1\u03cc\u03bd\u03b9\u03b1 \u03bb\u03b5\u03b9\u03c4\u03bf\u03c5\u03c1\u03b3\u03af\u03b1\u03c2 \u03c4\u03bf\u03c5 \u03a4\u03bc\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ae\u03c2 \u03a6\u03b9\u03bb\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 \u03c4\u03bf\u03c5 \u0394.\u03a0.\u0398., \u039a\u03bf\u03bc\u03bf\u03c4\u03b7\u03bd\u03ae, 8 \u039f\u03ba\u03c4\u03c9\u03b2\u03c1\u03af\u03bf\u03c5 2015, <\/em><em>October<\/em><em> 8, 2015<\/em>, \u039a\u03bf\u03bc\u03bf\u03c4\u03b7\u03bd\u03ae: \u03a3\u03b1\u0390\u03c4\u03b1.]<\/li>\n\n\n\n<li>I. Deligiannis (\u03b5\u03c0\u03b9\u03bc.), 2017. <em>Investigating the Translation Process in Humanistic Latin Translations of Greek Texts. Proceedings of an International Conference, Democritus University of Thrace, Komotini, 28-29 April 2017<\/em> [<em>Mediterranean Chronicle<\/em> 7], Corfu: Diavlos.<\/li>\n\n\n\n<li>I. Deligiannis, V. Pappas, V. Vaiopoulos (\u03b5\u03c0\u03b9\u03bc.), 2020. <em>Post-Byzantine Latinitas<\/em>:<em> Latin in Post-Byzantine Scholarship (15<sup>th<\/sup> &#8211; 19<sup>th<\/sup> centuries)<\/em>, Corpus Christianorum, Lingua Patrum XII.B, Turnhout: Brepols.<\/li>\n\n\n\n<li>I. Deligiannis (\u03b5\u03c0\u03b9\u03bc.), 2024. <em>Cicero in Greece, Greece in Cicero<\/em>:<em> Aspects of Reciprocal Reception from Classical Antiquity to Byzantium and Modern Greece<\/em>, CICERO &#8211; Studies on Roman Thought and Its Reception, 9, Berlin \u2013 Boston: De Gruyter.<\/li>\n<\/ol>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-custom-color-11-color has-text-color has-link-color has-fraunces-font-family wp-elements-5523207dc107761fa8c7263bee1513b7\">\u0393) <strong>\u0386\u03c1\u03b8\u03c1\u03b1 \u03c3\u03b5 \u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ac \u03c0\u03b5\u03c1\u03b9\u03bf\u03b4\u03b9\u03ba\u03ac \u03ba\u03b1\u03b9 \u03c3\u03c5\u03bb\u03bb\u03bf\u03b3\u03b9\u03ba\u03bf\u03cd\u03c2 \u03c4\u03cc\u03bc\u03bf\u03c5\u03c2<\/strong><\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2003. \u00abGuarino Guarini Veronese, <em>Ex<\/em><em> <\/em><em>Luciano<\/em> <em>ne<\/em><em> <\/em><em>facile<\/em><em> <\/em><em>credenda<\/em><em> <\/em><em>calumnia<\/em>: \u0397 \u03c0\u03c1\u03ce\u03c4\u03b7 \u03bf\u03bb\u03bf\u03ba\u03bb\u03b7\u03c1\u03c9\u03bc\u03ad\u03bd\u03b7 \u03bb\u03b1\u03c4\u03b9\u03bd\u03b9\u03ba\u03ae \u03bc\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03ad\u03c1\u03b3\u03bf\u03c5 \u03c4\u03bf\u03c5 \u039b\u03bf\u03c5\u03ba\u03b9\u03b1\u03bd\u03bf\u03cd <em>\u03a0\u03b5\u03c1\u03af \u03b4\u03b9\u03b1\u03b2\u03bf\u03bb\u03ae\u03c2<\/em>\u00bb, [\u03c7.\u03b5.], <em>\u039c\u03b5\u03c4\u03b1\u03c6\u03c1\u03b1\u03c3\u03c4\u03b9\u03ba\u03ae \u0398\u03b5\u03c9\u03c1\u03af\u03b1 \u03ba\u03b1\u03b9 \u03a0\u03c1\u03ac\u03be\u03b7 \u03c3\u03c4\u03b7 \u039b\u03b1\u03c4\u03b9\u03bd\u03b9\u03ba\u03ae \u0393\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u0396\u2019 \u03a0\u03b1\u03bd\u03b5\u03bb\u03bb\u03b7\u03bd\u03af\u03bf\u03c5 \u03a3\u03c5\u03bc\u03c0\u03bf\u03c3\u03af\u03bf\u03c5 \u039b\u03b1\u03c4\u03b9\u03bd\u03b9\u03ba\u03ce\u03bd \u03a3\u03c0\u03bf\u03c5\u03b4\u03ce\u03bd, \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7, 16-19 \u039f\u03ba\u03c4\u03c9\u03b2\u03c1\u03af\u03bf\u03c5 2002, \u03a4\u03bf\u03bc\u03ad\u03b1\u03c2 \u039a\u03bb\u03b1\u03c3\u03b9\u03ba\u03ce\u03bd \u03a3\u03c0\u03bf\u03c5\u03b4\u03ce\u03bd, \u03a4\u03bc\u03ae\u03bc\u03b1 \u03a6\u03b9\u03bb\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2, \u0391\u03c1\u03b9\u03c3\u03c4\u03bf\u03c4\u03ad\u03bb\u03b5\u03b9\u03bf \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2<\/em> (<em>\u0395\u0395\u03a6\u03a3\u03a0\u0398<\/em>, \u03c4\u03b5\u03cd\u03c7. \u03a4\u03bc\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u03a6\u03b9\u03bb\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2, 10), \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7: University Studio Press: 303-316.<\/li>\n\n\n\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2011. \u00ab\u0388\u03bd\u03b1 \u201c\u03b5\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03cc\u201d \u03c7\u03b5\u03b9\u03c1\u03cc\u03b3\u03c1\u03b1\u03c6\u03bf \u03c4\u03c9\u03bd <em>\u0395\u03c0\u03b9\u03c3\u03c4\u03bf\u03bb\u03ce\u03bd<\/em> \u03c4\u03bf\u03c5 \u03a3\u03b5\u03bd\u03ad\u03ba\u03b1 \u03ba\u03b1\u03b9 \u03c4\u03c9\u03bd \u03c3\u03c7\u03bf\u03bb\u03af\u03c9\u03bd \u03c4\u03bf\u03c5 Gasparino Barzizza: <em>instrumentum<\/em><em> <\/em><em>magistri<\/em><em> <\/em><em>vel<\/em><em> <\/em><em>discipuli<\/em><em> <\/em><em>liber<\/em><em>?<\/em>\u00bb, <em>\u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac<\/em> 61.2: 267-285.<\/li>\n\n\n\n<li>I. Deligiannis, 2012. \u00abThe Latin translation of Prodicus\u2019s tale of Hercules from Xenophon\u2019s <em>Memorabilia <\/em>by Sassolo da Prato\u00bb, <em>Studi Medievali e Umanistici<\/em> 10: 131-210.<\/li>\n\n\n\n<li>I. Deligiannis, 2013. \u00abThe study and reception of Plato at the school of Vittorino da Feltre as revealed from two epistles of Sassolo da Prato\u00bb, <em>Humanistica. An<\/em><em> <\/em><em>International<\/em><em> <\/em><em>Journal<\/em><em> <\/em><em>of<\/em><em> <\/em><em>Early<\/em><em> <\/em><em>Renaissance<\/em><em> <\/em><em>Studies<\/em><em> <\/em>8.1: 105-129.<\/li>\n\n\n\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2013. \u00ab\u0397 \u03c1\u03b7\u03c4\u03bf\u03c1\u03b9\u03ba\u03ae \u03c3\u03c4\u03b7\u03bd \u03c5\u03c0\u03b7\u03c1\u03b5\u03c3\u03af\u03b1 \u03c4\u03b7\u03c2 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03ba\u03ae\u03c2: \u03b7 \u03c0\u03b5\u03c1\u03af\u03c0\u03c4\u03c9\u03c3\u03b7 \u03c4\u03c9\u03bd \u03c7\u03b9\u03b1\u03c3\u03bc\u03ce\u03bd \u03c3\u03c4\u03bf <em>\u03a0\u03b5\u03c1\u03af \u03a0\u03bf\u03bb\u03b9\u03c4\u03b5\u03af\u03b1\u03c2<\/em> \u03c4\u03bf\u03c5 \u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd\u03b1 \u03ba\u03b1\u03b9 \u03bf \u03c1\u03cc\u03bb\u03bf\u03c2 \u03c4\u03bf\u03c5\u03c2 \u03c3\u03c4\u03b7\u03bd \u03b5\u03ba\u03c6\u03bf\u03c1\u03ac \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03ba\u03ce\u03bd \u03bc\u03b7\u03bd\u03c5\u03bc\u03ac\u03c4\u03c9\u03bd\u00bb, <em>\u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac<\/em> 63: 29-38.<\/li>\n\n\n\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2014. \u00ab\u03a4\u03bf \u039f\u03bc\u03b7\u03c1\u03b9\u03ba\u03cc \u03c4\u03c1\u03b1\u03b3\u03bf\u03cd\u03b4\u03b9 \u03c4\u03c9\u03bd \u03a3\u03b5\u03b9\u03c1\u03ae\u03bd\u03c9\u03bd \u03c3\u03c4\u03b7\u03bd \u03c5\u03c0\u03b7\u03c1\u03b5\u03c3\u03af\u03b1 \u03c4\u03b7\u03c2 \u03c6\u03b9\u03bb\u03bf\u03c3\u03bf\u03c6\u03af\u03b1\u03c2 \u03c4\u03bf\u03c5 \u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd\u03b1: \u0397 \u03c0\u03c1\u03ce\u03c4\u03b7 \u03b8\u03b5\u03c9\u03c1\u03b7\u03c4\u03b9\u03ba\u03ae \u03c0\u03c1\u03bf\u03c3\u03ad\u03b3\u03b3\u03b9\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03c4\u03c1\u03b1\u03b3\u03bf\u03c5\u03b4\u03b9\u03bf\u03cd \u03c3\u03c4\u03b7 \u039b\u03b1\u03c4\u03b9\u03bd\u03b9\u03ba\u03ae \u0393\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1 \u03ba\u03b1\u03b9 \u03b7 \u03b5\u03c0\u03af\u03b4\u03c1\u03b1\u03c3\u03ae \u03c4\u03b7\u03c2 \u03c3\u03c4\u03bf\u03bd \u0394\u03ac\u03bd\u03c4\u03b7\u00bb, <em>Mediterranean<\/em><em> <\/em><em>Chronicle<\/em> 4: 13-26.<\/li>\n\n\n\n<li>I. Deligiannis, 2014. \u00abFlann O\u2019Brien\u2019s Lucianism in \u2018WAAMA, etc.\u2019 from <em>The Best of Myles<\/em>\u00bb, <em>\u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03ac<\/em> 64: 7-21.<\/li>\n\n\n\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2014. \u00ab\u0395\u03b3\u03ba\u03ce\u03bc\u03b9\u03bf \u03ba\u03b1\u03b9 \u03b1\u03c5\u03c4\u03bf\u03b5\u03b3\u03ba\u03ce\u03bc\u03b9\u03bf \u03c3\u03c4\u03b1 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03ba\u03ac \u03ad\u03c1\u03b3\u03b1 \u03c4\u03bf\u03c5 \u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd\u03bf\u03c2\u00bb \/ I. Deligiannis, \u00abPraise and Self-Praise in Cicero\u2019s Political Works\u00bb, \u03a3. \u03a4\u03b6\u03bf\u03cd\u03bd\u03b1\u03ba\u03b1\u03c2 (\u03b5\u03c0\u03b9\u03bc.), <em>\u0395\u03b3\u03ba\u03ce\u03bc\u03b9\u03b1<\/em><em> <\/em><em>\u0397\u03b3\u03b5\u03c4\u03b9\u03ba\u03ce\u03bd<\/em><em> <\/em><em>\u039c\u03bf\u03c1\u03c6\u03ce\u03bd<\/em><em> <\/em><em>\u03c3\u03c4\u03b7<\/em><em> <\/em><em>\u039b\u03b1\u03c4\u03b9\u03bd\u03b9\u03ba\u03ae<\/em><em> <\/em><em>\u0393\u03c1\u03b1\u03bc\u03bc\u03b1\u03c4\u03b5\u03af\u03b1<\/em><em>. <\/em><em>\u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac<\/em><em> <\/em><em>\u03a3\u03c5\u03bc\u03c0\u03bf\u03c3\u03af\u03bf\u03c5<\/em><em> <\/em><em>\u039b\u03b1\u03c4\u03b9\u03bd\u03b9\u03ba\u03ce\u03bd<\/em><em> <\/em><em>\u0393\u03c1\u03b1\u03bc\u03bc\u03ac\u03c4\u03c9\u03bd<\/em><em>. <\/em><em>\u039b\u03b5\u03c5\u03ba\u03c9\u03c3\u03af\u03b1<\/em><em>, 13-14 <\/em><em>\u03a3\u03b5\u03c0\u03c4\u03b5\u03bc\u03b2\u03c1\u03af\u03bf\u03c5<\/em><em> 2013<\/em>, \u039b\u03b5\u03c5\u03ba\u03c9\u03c3\u03af\u03b1: \u03a3\u03c4\u03b1\u03bc\u03bf\u03cd\u03bb\u03b7\u03c2: <em>13-52<\/em> \/ S. Tzounakas (ed.),<em> Praises of Roman Leaders in Latin Literature. Proceedings of a Latin Symposium<\/em>. <em>Nicosia, 13-14 September 2013<\/em>, Nicosia: Stamoulis: <em>13-52.<\/em><\/li>\n\n\n\n<li>I. Deligiannis, 2015. \u00abSpatiotemporal and Scenic Images in Cicero\u2019s Political Dialogues: Function and Depictions\u00bb, <em>Mediterranean Chronicle<\/em> 5: 99-119.<\/li>\n\n\n\n<li>I. Deligiannis, 2016. \u00abThe Marginalia on M. Palmieri\u2019s Latin translation of Herodotus\u2019 <em>Histories<\/em> from Naples, Bibl. Naz., ms. V G 7, and Florence, Bibl. Med. Laur., ms. Acq. e Doni 130\u00bb, <em>Bollettino di Studi Latini<\/em> 46: 650-716.<\/li>\n\n\n\n<li>I. Deligiannis, 2016. \u00abCic. <em>Leg<\/em>. 1.5-8 and M. Palmieri\u2019s <em>proemium<\/em> to his Latin Translation of Herodotus: an Early Renaissance Approach to the Theory of Historiography\u00bb, <em>Medioevo e Rinascimento<\/em> 30\/n.s. 27: 55-86.<\/li>\n\n\n\n<li>I. Deligiannis, 2017. \u00abProduction et diffusion des traductions latines de Lucien \u00e0 la p\u00e9riode de la fin du manuscrit et des d\u00e9buts de l\u2019imprim\u00e9 (fin XV<sup>e<\/sup> si\u00e8cle-fin XVI<sup>e<\/sup> si\u00e8cle)\u00bb, <em>Ast\u00e9rion <\/em>16: 1-25.<\/li>\n\n\n\n<li>I. Deligiannis, 2017. \u00ab\u201cWitnessing\u201d a Translator at Work: Observations on Mattia Palmieri\u2019s Latin Translation of Herodotus\u2019 <em>Histories<\/em>\u00bb, I. Deligiannis (\u03b5\u03c0\u03b9\u03bc.), <em>Investigating the Translation Process in Humanistic Latin Translations of Greek Texts. Proceedings of an International Conference, Democritus University of Thrace, Komotini, 28-29 April 2017<\/em> [<em>Mediterranean Chronicle<\/em> 7], Corfu: Diavlos: 69-88.<\/li>\n\n\n\n<li>I. Deligiannis, 2018. \u00abHistoriography, Autobiography and self-praise in Cicero\u2019s political dialogues (<em>Rep<\/em>. &amp; <em>Leg<\/em>.) and his <em>epist<\/em>., 5, 12\u00bb, <em>Rivista di Cultura Classica e Medioevale<\/em> 60: 141-154.<\/li>\n\n\n\n<li>I. Deligiannis, 2020. \u00abThe Choice-Making Hercules as an Exemplary Model for Alessandro and Federico Gonzaga and the Fifteenth-Century Latin Translation of Prodicus\u2019 Tale of Herakles by Sassolo da Prato\u00bb, V. Mainz \u2013 \u0395. Stafford (\u03b5\u03c0\u03b9\u03bc.), <em>The Exemplary Hercules from the Renaissance to the Enlightenment and Beyond<\/em>, Leiden \u2013 Boston: Brill: 25-46.<\/li>\n\n\n\n<li>I. Deligiannis, 2019. \u00abCic. <em>Rep<\/em>. 4: A Guidebook for the Formation of a Normative Positive Social Behaviour and a National Identity\u00bb, <em>Mediterranean Chronicle<\/em> 9: 69-94.<\/li>\n\n\n\n<li>I. Deligiannis, 2020. \u00ab<em>Homerum intellegas, cum audieris poetam<\/em>: Homer in Seneca\u2019s Writings\u00bb, <em>Rivista di Cultura Classica e Medioevale<\/em> 62: 407-434.<\/li>\n\n\n\n<li>I. Deligiannis, 2020. \u00abThe Classical Sources of the <em>Marginalia<\/em> in M. Palmieri\u2019s Latin Translation of Herodotus\u2019 <em>Histories<\/em> from Florence, BML, ms. <em>Acq. e Doni<\/em> 130\u00bb, G. Abbamonte, M. Laureys &amp; L. Miletti (\u03b5\u03c0\u03b9\u03bc.), <em>I paratesti nelle edizioni a stampa dei classici greci e latini (XV-XVIII sec.)<\/em>, Pisa: Edizioni ETS: 21-39.<\/li>\n\n\n\n<li>I. Deligiannis, 2020. \u00abThe Diffusion of the Latin Translations of Greek Texts Produced by Late and Post-Byzantine Scholars and Printed from the Mid-Fifteenth to Late Sixteenth Century\u00bb, I. Deligiannis, V. Pappas &amp; V. Vaiopoulos (\u03b5\u03c0\u03b9\u03bc.), <em>Post<\/em><em>&#8211;<\/em><em>Byzantine Latinitas<\/em><em>: <\/em><em>Latin in Post<\/em><em>&#8211;<\/em><em>Byzantine Scholarship<\/em><em> (15<\/em><em><sup>th<\/sup><\/em><em> &#8211; 19<\/em><em><sup>th<\/sup><\/em><em><sup> <\/sup><\/em><em>cent<\/em><em>uries)<\/em>, Corpus Christianorum, Lingua Patrum XII.B, Turnhout: Brepols: 165-188.<\/li>\n\n\n\n<li>I. Deligiannis \u2013 N. Tompros, 2021. \u00abModern Greek Heraldic Mottoes: A Revival of Classical or Classicizing Latin Language and Style\u00bb, <em>Medioevo Greco. Rivista di Storia e Filologia Bizantina<\/em> 21: 313-335.<\/li>\n\n\n\n<li>\u0399. \u039d\u03c4\u03b5\u03bb\u03b7\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7\u03c2, 2021. \u00ab\u2026 <em>a fabulis ad facta veniamus<\/em>: \u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae \u03c0\u03c1\u03bf\u03c3\u03ad\u03b3\u03b3\u03b9\u03c3\u03b7 \u03c4\u03b7\u03c2 \u03c1\u03c9\u03bc\u03b1\u03ca\u03ba\u03ae\u03c2 \u03bc\u03c5\u03b8\u03bf\u03bb\u03bf\u03b3\u03af\u03b1\u03c2 \u03ba\u03b1\u03b9 \u03bc\u03c5\u03b8\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u03ae\u03c2 \u03b8\u03c1\u03b7\u03c3\u03ba\u03b5\u03af\u03b1\u03c2 \u03b1\u03c0\u03cc \u03c4\u03bf\u03bd \u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd\u03b1 \u03c3\u03c4\u03bf\u03c5\u03c2 \u03c0\u03bf\u03bb\u03b9\u03c4\u03b9\u03ba\u03bf\u03cd\u03c2 \u03b4\u03b9\u03b1\u03bb\u03cc\u03b3\u03bf\u03c5\u03c2 \u03c4\u03bf\u03c5\u00bb, \u0394. \u03a1\u03ac\u03b9\u03bf\u03c2 \u2013 \u0395. \u03a7\u03bf\u03c5\u03bb\u03b9\u03b1\u03c1\u03ac (\u03b5\u03c0\u03b9\u03bc.), <em>10<sup>\u03bf<\/sup> \u03a0\u03b1\u03bd\u03b5\u03bb\u03bb\u03ae\u03bd\u03b9\u03bf \u03a3\u03c5\u03bc\u03c0\u03cc\u03c3\u03b9\u03bf \u039b\u03b1\u03c4\u03b9\u03bd\u03b9\u03ba\u03ce\u03bd \u03a3\u03c0\u03bf\u03c5\u03b4\u03ce\u03bd. \u0398\u03c1\u03b7\u03c3\u03ba\u03b5\u03af\u03b1 \u03ba\u03b1\u03b9 \u039c\u03c5\u03b8\u03bf\u03bb\u03bf\u03b3\u03af\u03b1 \u03c3\u03c4\u03bf\u03bd \u03a1\u03c9\u03bc\u03b1\u03ca\u03ba\u03cc \u039a\u03cc\u03c3\u03bc\u03bf. \u0399\u03c9\u03ac\u03bd\u03bd\u03b9\u03bd\u03b1 2-4 \u03a3\u03b5\u03c0\u03c4\u03b5\u03bc\u03b2\u03c1\u03af\u03bf\u03c5 2020. \u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac<\/em>, \u0399\u03c9\u03ac\u03bd\u03bd\u03b9\u03bd\u03b1: \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf \u03c4\u03bf\u03c5 \u0392\u03b9\u03b2\u03bb\u03af\u03bf\u03c5 \u2013 \u039a\u03b1\u03c1\u03b4\u03b1\u03bc\u03af\u03c4\u03c3\u03b1: 411-430.<\/li>\n\n\n\n<li>I. Deligiannis, 2024. \u00abThe First Greek Translation of Cicero\u2019s <em>De re publica<\/em> (1839)\u00bb, I. Deligiannis (\u03b5\u03c0\u03b9\u03bc.), <em>Cicero in Greece, Greece in Cicero<\/em>:<em> Aspects of Reciprocal Reception from Classical Antiquity to Byzantium and Modern Greece<\/em>, CICERO &#8211; Studies on Roman Thought and Its Reception, 9, Berlin \u2013 Boston: De Gruyter: 171-201.<\/li>\n\n\n\n<li>I. Deligiannis, 2024. \u00abSome Etymologies from B. Cillenio\u2019s Commentary on Tibullus\u2019 <em>Elegies<\/em> I\u00bb, S. Kyriakidis \u2013 C. N. Michalopoulos (\u03b5\u03c0\u03b9\u03bc.), <em>Secretis bene uiuere siluis: Studies in Latin Literature in Honour of Robert Maltby<\/em>, Newcastle upon Tyne: Cambridge Scholars Publishing: 163-193.<\/li>\n\n\n\n<li>I. Deligiannis, \u03c5\u03c0\u03cc \u03b4\u03b7\u03bc\u03bf\u03c3\u03af\u03b5\u03c5\u03c3\u03b7. \u00abAncient Thrace in the Roman Encyclopaedists\u00bb, [\u03c7.\u03b5.], <em>\u03a0\u03c1\u03b1\u03ba\u03c4\u03b9\u03ba\u03ac \u03c4\u03bf\u03c5 3<sup>\u03bf\u03c5<\/sup> \u0394\u03b9\u03b5\u03b8\u03bd\u03bf\u03cd\u03c2 \u03a3\u03c5\u03bc\u03c0\u03bf\u03c3\u03af\u03bf\u03c5 \u00ab\u0397 \u0398\u03c1\u03ac\u03ba\u03b7 \u03c3\u03c4\u03b7 \u03a1\u03c9\u03bc\u03b1\u03ca\u03ba\u03ae \u0395\u03c0\u03bf\u03c7\u03ae \u03ba\u03b1\u03b9 \u03c4\u03b7\u03bd \u038e\u03c3\u03c4\u03b5\u03c1\u03b7 \u0391\u03c1\u03c7\u03b1\u03b9\u03cc\u03c4\u03b7\u03c4\u03b1: \u0394\u03c1\u03cc\u03bc\u03bf\u03b9, \u0395\u03c0\u03b9\u03ba\u03bf\u03b9\u03bd\u03c9\u03bd\u03af\u03b1 \u03ba\u03b1\u03b9 \u039a\u03b9\u03bd\u03b7\u03c4\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u00bb, \u039a\u03bf\u03bc\u03bf\u03c4\u03b7\u03bd\u03ae 18-21 \u039f\u03ba\u03c4\u03c9\u03b2\u03c1\u03af\u03bf\u03c5 2018<\/em> (\u03c3\u03c5\u03bd\u03ac\u03c0\u03c4\u03b5\u03c4\u03b1\u03b9 \u03b2\u03b5\u03b2\u03b1\u03af\u03c9\u03c3\u03b7 \u03c4\u03b7\u03c2 \u0395\u03c6\u03bf\u03c1\u03b5\u03af\u03b1\u03c2 \u0391\u03c1\u03c7\u03b1\u03b9\u03bf\u03c4\u03ae\u03c4\u03c9\u03bd \u03a1\u03bf\u03b4\u03cc\u03c0\u03b7\u03c2).<\/li>\n\n\n\n<li>I. Deligiannis, \u03c5\u03c0\u03cc \u03b4\u03b7\u03bc\u03bf\u03c3\u03af\u03b5\u03c5\u03c3\u03b7. \u00abCicero\u2019s Concept of Human Dignity and Human Rights in his Political Dialogues\u00bb, E. G. Dafni (\u03b5\u03c0\u03b9\u03bc.), <em>Human Dignity and Human Rights in Ancient Near East, Israel and Hellas \u2013 Volume \u0399<\/em>, Orbis Biblicus et Orientalis. Leuven: Peeters Publishers.<\/li>\n\n\n\n<li>I. Deligiannis, \u03c5\u03c0\u03cc \u03b4\u03b7\u03bc\u03bf\u03c3\u03af\u03b5\u03c5\u03c3\u03b7. \u00abThe Critical Edition of M. Palmieri\u2019s Latin Translation of Herodotus as an Authorially Revised Text\u00bb, D. Benetos (\u03b5\u03c0\u03b9\u03bc.), <em>Fontes sine quibus non: An Interdisciplinary Approach on Critical Editing, Text Encoding, and Text Mining<\/em>, Athens: Gutenberg.<\/li>\n<\/ol>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading has-custom-color-11-color has-text-color has-link-color has-fraunces-font-family wp-elements-5c7a8fad879a40e8e447cea18b4d1f73\"><strong>\u0394) \u0392\u03b9\u03b2\u03bb\u03b9\u03bf\u03ba\u03c1\u03b9\u03c3\u03af\u03b5\u03c2<\/strong><\/h3>\n\n\n\n<ol class=\"wp-block-list\">\n<li>C. Caruso \u2013 A. Laird (\u03b5\u03c0\u03b9\u03bc.), 2009. <em>Italy and the Classical Tradition. Language, Thought and Poetry 1300-1600<\/em>, London: <em>Bryn Mawr Classical Review<\/em> 2010.01.56.<\/li>\n\n\n\n<li>J. Schafer,2009. <em>Ars Didactica: Seneca&#8217;s 94<sup>th<\/sup> and 95<sup>th<\/sup> Letters<\/em>, G\u00f6ttingen: <em>Bryn Mawr Classical Review<\/em> 2010.05.51.<\/li>\n\n\n\n<li>M. Cortesi \u2013 S. Fiaschi (\u03b5\u03c0\u03b9\u03bc.),2008. <em>Repertorio delle traduzioni umanistiche a stampa: secoli XV \u2013 XVI. Edizione nazionale delle traduzioni dei testi greci in et\u00e0 umanistica e rinascimentale 5<\/em>, 2 vol., Firenze: <em>Bryn Mawr Classical Review<\/em> 2010.09.02.<\/li>\n\n\n\n<li>\u039c. \u03a0\u03b1\u03c0\u03b1\u03b8\u03c9\u03bc\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2, 2009. <em>\u039a\u03ac\u03c4\u03c9\u03bd\u03bf\u03c2<\/em><em> <\/em><em>\u03b3\u03bd\u1ff6\u03bc\u03b1\u03b9<\/em><em> <\/em><em>\u03c0\u03b1\u03c1\u03b1\u03b9\u03bd\u03b5\u03c4\u03b9\u03ba\u03b1\u1f76<\/em><em> <\/em><em>\u03b4\u03af\u03c3\u03c4\u03b9\u03c7\u03bf\u03b9<\/em><em> <\/em><em>\u1f03\u03c2<\/em><em> <\/em><em>\u03bc\u03b5\u03c4\u03ae\u03bd\u03b5\u03b3\u03ba\u03b5\u03bd<\/em><em> <\/em><em>\u1f10\u03ba<\/em><em> <\/em><em>\u03c4\u1fc6\u03c2<\/em><em> <\/em><em>\u039b\u03b1\u03c4\u03af\u03bd\u03c9\u03bd<\/em><em> <\/em><em>\u03c6\u03c9\u03bd\u1fc6\u03c2<\/em><em> <\/em><em>\u03b5\u1f30\u03c2<\/em><em> <\/em><em>\u03c4\u1f74\u03bd<\/em><em> <\/em><em>\u1f19\u03bb\u03bb\u03ac\u03b4\u03b1<\/em><em> <\/em><em>\u03b4\u03b9\u03ac\u03bb\u03b5\u03ba\u03c4\u03bf\u03bd<\/em><em> <\/em><em>\u039c\u03ac\u03be\u03b9\u03bc\u03bf\u03c2<\/em><em> <\/em><em>\u039c\u03bf\u03bd\u03b1\u03c7\u1f78\u03c2<\/em><em> <\/em><em>\u1f41<\/em><em> <\/em><em>\u03a0\u03bb\u03b1\u03bd\u03bf\u03cd\u03b4\u03b7\u03c2<\/em><em>. <\/em><em>\u039a\u03c1\u03b9\u03c4\u03b9\u03ba\u03ae<\/em><em> <\/em><em>\u03ad\u03ba\u03b4\u03bf\u03c3\u03b7<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1: <em>Bryn Mawr Classical Review<\/em> 2010.09.44.<\/li>\n\n\n\n<li>P. Esposito (\u03b5\u03c0\u03b9\u03bc.), 2010. <em>Da classico a classico: paradigmi letterari tra antico e moderno. Atti del Convegno della CUSL (Fisciano &#8211; Salerno, 8-10 novembre 2007)<\/em>, Pisa: <em>Bryn Mawr Classical Review<\/em> 2011.08.06.<\/li>\n\n\n\n<li>L. Cristante \u2013 S. Ravalico (\u03b5\u03c0\u03b9\u03bc.),2011. <em>Il calamo della memoria. Riuso di testi e mestiere letterario nella tarda antichit\u00e0. IV (Raccolta delle relazioni discusse nel IV incontro internazionale di Trieste, Biblioteca Statale, 28-30 aprile 2010)<\/em>, Trieste: <em>Bryn Mawr Classical Review<\/em> 2011.10.50.<\/li>\n\n\n\n<li>P. Mascoli (\u03b5\u03c0\u03b9\u03bc.), 2011. <em>Iohannes de Segarellis. Elucidatio tragoediarum Senecae: Thebais seu Phoenissae<\/em>, Bari: <em>Bryn Mawr Classical Review<\/em> 2012.10.54.<\/li>\n\n\n\n<li>J. Glucker \u2013 Ch. Burnett (\u03b5\u03c0\u03b9\u03bc.),2012. <em>Greek into Latin from antiquity until the nineteenth century<\/em>, London \u2013 Turin: <em>Bryn Mawr Classical Review<\/em> 2012.07.53.<\/li>\n\n\n\n<li>S. Gambino Longo (\u03b5\u03c0\u03b9\u03bc.),2012. <em>H\u00e9rodote \u00e0 la Renaissance, <\/em>Turnhout: <em>Bryn Mawr Classical Review<\/em> 2012.12.09.<\/li>\n\n\n\n<li>G. Zago, 2012. <em>Sapienza filosofica e cultura materiale\u00a0: Posidonio e le altre fonti dell&#8217;Epistola 90 di Seneca<\/em>, Bologna: <em>Exemplaria Classica<\/em> 17 (2013): 455-464.<\/li>\n\n\n\n<li>\u039c. Pade (\u03b5\u03c0\u03b9\u03bc.), 2013. <em>Plutarchi Chaeronensis: Vita Dionis et Comparatio et de Bruto ac Dione iudicium Guarino Veronensi interprete<\/em>. Il ritorno dei classici nell\u2019umanesimo, 8. Firenze: <em>Bryn Mawr Classical Review<\/em> 2014.07.10.<\/li>\n\n\n\n<li>G. Albanese, Cl. Ciociola, M. Cortesi, Cl. Villa (\u03b5\u03c0\u03b9\u03bc.), 2015. <em>Il ritorno dei classici nell\u2019Umanesimo: studi in memoria di Gianvito Resta<\/em>, Firenze: <em>Bryn Mawr Classical Review <\/em>2016.09.50.<\/li>\n\n\n\n<li>S. Greenblatt, 2017. <em>\u03a0\u03b1\u03c1\u03ad\u03b3\u03ba\u03bb\u03b9\u03c3\u03b9\u03c2. \u039f \u039b\u03bf\u03c5\u03ba\u03c1\u03ae\u03c4\u03b9\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u03b1\u03c0\u03b1\u03c1\u03c7\u03ad\u03c2 \u03c4\u03b7\u03c2 \u03bd\u03b5\u03c9\u03c4\u03b5\u03c1\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2<\/em> [<em>The Swerve: How the Renaissance Began<\/em>], \u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7: \u0394. \u039a\u03b1\u03bd\u03b5\u03bb\u03bb\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u0395\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae \u03b5\u03c0\u03bf\u03c0\u03c4\u03b5\u03af\u03b1: \u0393. \u0391. \u03a7\u03c1\u03b9\u03c3\u03c4\u03bf\u03b4\u03bf\u03cd\u03bb\u03bf\u03c5, \u0391\u03b8\u03ae\u03bd\u03b1: <em>Epist\u0113m\u0113s Metron Logos<\/em> 1 (2018): 98-103.<\/li>\n\n\n\n<li>S. Greenblatt, 2017. <em>\u03a0\u03b1\u03c1\u03ad\u03b3\u03ba\u03bb\u03b9\u03c3\u03b9\u03c2. \u039f \u039b\u03bf\u03c5\u03ba\u03c1\u03ae\u03c4\u03b9\u03bf\u03c2 \u03ba\u03b1\u03b9 \u03bf\u03b9 \u03b1\u03c0\u03b1\u03c1\u03c7\u03ad\u03c2 \u03c4\u03b7\u03c2 \u03bd\u03b5\u03c9\u03c4\u03b5\u03c1\u03b9\u03ba\u03cc\u03c4\u03b7\u03c4\u03b1\u03c2<\/em> [<em>The Swerve: How the Renaissance Began<\/em>], \u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7: \u0394. \u039a\u03b1\u03bd\u03b5\u03bb\u03bb\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5, \u0395\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03bf\u03bd\u03b9\u03ba\u03ae \u03b5\u03c0\u03bf\u03c0\u03c4\u03b5\u03af\u03b1: \u0393. \u0391. \u03a7\u03c1\u03b9\u03c3\u03c4\u03bf\u03b4\u03bf\u03cd\u03bb\u03bf\u03c5, \u0391\u03b8\u03ae\u03bd\u03b1: <em>The Athens Review of Books<\/em> 97 (14.07.2018).<\/li>\n\n\n\n<li>\u0398. \u0394. \u03a0\u03b1\u03c0\u03b1\u03b3\u03b3\u03b5\u03bb\u03ae\u03c2, 2021. <em>\u039b\u03bf\u03c5\u03ba\u03c1\u03b7\u03c4\u03af\u03bf\u03c5 \u03a0\u03b5\u03c1\u03af \u03a6\u03cd\u03c3\u03b5\u03c9\u03c2. \u0397 \u03ba\u03bb\u03b7\u03c1\u03bf\u03bd\u03bf\u03bc\u03b9\u03ac \u03b5\u03bd\u03cc\u03c2 \u03b5\u03c0\u03af\u03bc\u03bf\u03bd\u03bf\u03c5 \u03ba\u03b7\u03c0\u03bf\u03c5\u03c1\u03bf\u03cd. \u03a0\u03c1\u03bf\u03bb\u03b5\u03b3\u03cc\u03bc\u03b5\u03bd\u03b1 \u2013 \u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u2013 \u03a3\u03b7\u03bc\u03b5\u03b9\u03ce\u03c3\u03b5\u03b9\u03c2<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1: <em>The Athens Review of Books <\/em>130 (08.07.2021).<\/li>\n\n\n\n<li>\u0393. \u039a\u03b1\u03c1\u03b1\u03bc\u03b1\u03bd\u03ce\u03bb\u03b7\u03c2 \u2013 \u0395. \u039c\u03b7\u03c4\u03bf\u03cd\u03c3\u03b7, 2021. <em>\u039a\u03b9\u03ba\u03ad\u03c1\u03c9\u03bd, \u03a4\u03b1 \u03cc\u03c1\u03b9\u03b1 \u03c4\u03bf\u03c5 \u03b1\u03b3\u03b1\u03b8\u03bf\u03cd \u03ba\u03b1\u03b9 \u03c4\u03bf\u03c5 \u03ba\u03b1\u03ba\u03bf\u03cd <\/em>(<em>De<\/em><em> <\/em><em>finibus<\/em><em> <\/em><em>bonorum<\/em><em> <\/em><em>et<\/em><em> <\/em><em>malorum<\/em>), <em>\u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7, \u03b5\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae, \u03b5\u03c0\u03b9\u03bc\u03ad\u03bb\u03b5\u03b9\u03b1, \u03c3\u03c7\u03cc\u03bb\u03b9\u03b1<\/em>. \u0397\u03c1\u03ac\u03ba\u03bb\u03b5\u03b9\u03bf: <em>The Athens Review of Books<\/em> 144 (04.11.2022).<\/li>\n\n\n\n<li>\u03a3. \u03a4\u03c3\u03b9\u03c4\u03c3\u03b9\u03c1\u03af\u03b4\u03b7\u03c2, 2023. <em>\u03a3\u03b5\u03bd\u03ad\u03ba\u03b1\u03c2. \u0391\u03c0\u03bf\u03ba\u03bf\u03bb\u03bf\u03ba\u03cd\u03bd\u03b8\u03c9\u03c3\u03b7. \u039c\u03b5\u03bd\u03af\u03c0\u03c0\u03b5\u03b9\u03b1 \u03c3\u03ac\u03c4\u03b9\u03c1\u03b1. \u0395\u03b9\u03c3\u03b1\u03b3\u03c9\u03b3\u03ae \u2013 \u039c\u03b5\u03c4\u03ac\u03c6\u03c1\u03b1\u03c3\u03b7 \u2013 \u03a3\u03c7\u03cc\u03bb\u03b9\u03b1<\/em>, \u0391\u03b8\u03ae\u03bd\u03b1: <em>The Athens Review of Books<\/em> 157 (15.01.2024).<\/li>\n<\/ol>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div>\n<\/div>\n<\/div><\/div>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":5,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"template-plain","format":"standard","meta":{"_themeisle_gutenberg_block_has_review":false,"footnotes":""},"categories":[63,49],"tags":[],"class_list":["post-2597","post","type-post","status-publish","format-standard","hentry","category-63","category-49"],"_links":{"self":[{"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/posts\/2597","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/comments?post=2597"}],"version-history":[{"count":16,"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/posts\/2597\/revisions"}],"predecessor-version":[{"id":2616,"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/posts\/2597\/revisions\/2616"}],"wp:attachment":[{"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/media?parent=2597"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/categories?post=2597"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/stela.hs.duth.gr\/en\/wp-json\/wp\/v2\/tags?post=2597"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}